"The people have allowed me to - they've respected my choice of wanting to be like, a little, you know, a baby alchemist, and just trying to mix different cultures together and things that I think are interesting."
A Grammy-winning producer, songwriter, and artist behind a staggering quantity of R&B, rap, and pop hits, Pharrell Williams not only helped change the face of pop beginning in the late '90s. He also was one of the faces of pop music -- as a charismatic star who often stole the show when producing and/or guesting on other artists' hit singles. His presence was unfading, whether he was the one billed at the top or the one behind a beat.
To trace the beginning of his ascent, you have to go back to 1992, when Teddy Riley tapped him to write a verse for Wreckx-n-Effect's "Rump Shaker." Since the late '90s, Williams and longtime friend Chad Hugo -- known together as the Neptunes -- began scoring songwriting and production assignments that slowly but steadily infiltrated mainstream music, whether it was via dance-pop (Britney Spears' "I'm a Slave 4 U"), hardcore rap (Clipse's "Grindin'"), or contemporary R&B (Babyface's "There She Goes"). Williams and Hugo were relatively obscure during the mid-'90s, doing spare work for the likes of SWV, Total, and Mase, but they would eventually develop a style that would become as recognized and as mimicked as that of fellow Virginia Beach native Timbaland. (Prior to stardom, all three producers were in a band together called Surrounded by Idiots.)
Although Williams didn't release another solo album for eight years, his name, as well as that of the Neptunes, continued to carry much weight. The remainder of the 2000s was filled with commercially successful collaborations with the likes of Clipse, Britney Spears, Jay-Z, Solange, and Madonna. There was a handful of Grammy nominations, as well as a surprising 2007 win for Ludacris' "Money Maker" in the Best Rap Song category. N.E.R.D., who released their third album, Seeing Sounds, in 2008, remained an an occasional diversion.
The following decade began with a steady stream of activity. Williams was responsible for much of the music for the animated comedy Despicable Me. Along with outside production and songwriting work, Williams and Hugo put together Nothing, the fourth N.E.R.D. album. During 2011 and 2012, Williams produced most of Gloria Estefan's Miss Little Havana, dozens of cuts for R&B, rap, and pop artists, and tracks for two of the most praised albums of the early 2010s: Kendrick Lamar's Good Kid, M.A.A.D. City and Frank Ocean's Channel Orange. (Williams won a Grammy for his role in the latter.)
The roll continued through 2013. "Blurred Lines," a Hot 100 chart-topper from Robin Thicke, featured Williams as producer, co-songwriter, and featured artist. He co-wrote and fronted "Get Lucky" and "Lose Yourself to Dance," two songs from Daft Punk's number one Billboard 200 album Random Access Memories.
The soundtrack for Despicable Me 2 contained several Williams songs, led by the worldwide smash hit "Happy," for which he conceived a 24-hour music video. When the nominees for the 2014 Grammy Awards were announced, Williams' name appeared in seven categories. "Get Lucky" won Record of the Year, Random Access Memories won Album of the Year, and, most notably, Williams won the award for Producer of the Year, Non-Classical. Williams signed to Columbia, home of Daft Punk, and released his second album, G I R L, in March 2014. It reached number two on the pop charts, by which time "Happy" had achieved yet more success, becoming one of the top-selling digital singles of all time with sales of more than five million. ~ Andy Kellman, Rovi
Does not Belong to Us.
Does not Belong to Us.
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